Title: Interstice: Thursday (1/2) Author: Christy (attalanta@aol.com) Category: MSR Rating: PG-13 Additional Headers in Saturday: Part 1 * * * * * EPILOGUE Thursday, December 27, 2001 "This is love, to fly towards a distant sky, to cause a hundred veils to fall every minute, finally, to take a step without feet." - Rumi "Little things console us because little things afflict us." - Pascal * * * * * MULDER Mulder slipped a clean pair of flannel pajama pants out of the dresser drawer and stepped into them, letting the drawstring hang loose. First he stepped quietly into Liam's room, smiling when he leaned over the crib to see his son sleeping soundly. Liam had fallen asleep on the drive home the previous night and hadn't even stirred as Scully lifted him from his carseat, changed his diaper, and slipped on his pajamas. Then, quietly, Mulder returned to their bedroom. Like their son, Scully was still asleep, her hair shining in the early morning light. Mulder stood for a moment in the doorway, surveying the scene with a satisfied smile. The previous day's clothing was scattered around the room, Mulder's shirt hanging drunkenly from a chair, anchored by one arm. Scully's pants were draped across the foot of the bed, one cuff resting on the floor. Mulder stooped to pick up the pieces of clothing that had been so casually, so impatiently discarded the night before. He snagged his shirt and Scully's pants, then located his own jeans in a soft heap near the door. A few months ago, Mulder thought as he swept his cottony boxer briefs and Scully's silky bra off the floor on either side of the bed, he would have left the clothes on the floor, even if he was inclined to pick them up. He would've stayed in bed, waiting for Scully to wake first, and not just because watching her sleep was one of the most intimate things he'd ever done. No, he would've waited until she got out of bed because he wanted to see how long it took her to pick the clothes up, how long she could stand to see them lying so sexily, yet decidedly disorderly, on the floor. He would watch the light bathe her pale skin in sunny tones before she slipped on her robe -- or, if he was lucky and she decided it wasn't too dirty, his discarded shirt. Then she would pick up their mess. But even as he would squint, watching yet trying to pretend he was still asleep, the guilt would pick at him. I shouldn't be doing this, he thought each time. She loves you; you know she loves you. She said it often enough, knowing he needed to hear it. Intellectually, he knew her love. He could see it every day, as they tried to coax another bite of puréed peas past Liam's stubborn lips; as they poured through old files in Doggett's cold basement office; as they sat together on the couch at night, each armed with a red pen, wading through stacks of papers and quizzes. Mulder left the bedroom, his gaze darting around the family room in search of Scully's shirt. Finally he found it, a puddle of light blue silk on the floor beside the couch, and draped it across his shoulder, still smelling her perfume. He lifted their coats from where they hung over the back of the couch, then hung them in the closet. After snatching his boots up by the laces, he found Scully's shoes, one near the door, the other kicked halfway under the couch. Gathering everything into his arms, Mulder went back into the bedroom. He eased the bedroom door closed behind him, smiling when Scully did not stir. Yes, Mulder thought, he had been certain of her love for him in the way that he was certain of his badge number and address, of his birthdate and his mother's maiden name. Facts but not feelings. His ears heard the "I love you"s and his brain reaffirmed them, filed them deep down and inside, if -- *when,* he thought -- he needed to replay them later. But still, the reality of her love got stuck somewhere on its way to his heart, stuck there like a lump in his throat. Mulder couldn't say for sure when it had happened, when his understanding of her love had changed, when he had started to rely on it instead of wonder when it would, of course, disappear. Maybe it was a process, a slow realization, moving at a glacial pace... just like the rest of their relationship. Rationally, his slow acceptance of her love made sense. He understood why, both as a psychologist and as a man, that his feelings -- and his acceptance of her feelings -- had been so slow in coming. He had had just a few weeks to process everything when he finally returned to her. They had been lovers for so short a time when he had disappeared, and it had all been so overwhelming upon his homecoming. When he awoke in the hospital to see her there, after luxuriating in her reassuring smile, he had been struck with the changes in her, first in her face, then in the rest of her body. He was almost afraid to look at her swollen abdomen; it so scared him how much everything had changed in what, to him, felt like a single day. But her face frightened him the most. The expression on her face was infused with hope and love, with expectation. With need. He had never before seen Scully so needy, so vulnerable. He could tell she wanted him to embrace this new life they had created, to embrace her; to substantiate the insecure devotion she had used to fuel her search for him. And he did love her. He had loved her before he left, and that hadn't changed with his abduction or return. And of course he loved their child; how could he not love a part of her? You love her, he had reminded himself; it'll be okay, it'll work out. She's wanted this for so long; don't dampen her happiness. But he had been so confused, caught up in a fog of changes, both professional and personal. The days in the hospital had been almost unbearable for him, trying to catch up on the months he had lost, wondering if he still had an apartment, if he still had a job... if he still had a place in Scully's life. And wondering what, exactly, that place was, and whether he could fill it. True to form, he had watched a lot of television during those days in the hospital, filling the quiet hours when Scully and Skinner, his only visitors, weren't there, and sometimes, shamefully, filling the silence when they were. Late one night he had watched a Discovery Channel documentary about polar bears, which had come on after "Lost in the Bermuda Triangle: Secrets Revealed," when he couldn't summon up the strength to hunt out the remote and change the channel. Mulder had watched a polar bear emerge from its seasonal hibernation. The Arctic winter had been snowy and cold, and the bear's icy den had long ago been buried in heavy whiteness. Six feet under. But the determined bear had burrowed up out of its den, poking its fury yellowish head through the pristine white snow. But it did not push out further; instead, it rested its furry chin on the snow, watching, figuring. Trying to see what had changed in the months of its hibernation. Mulder wanted to explain this to Scully, to reassure what he had said to her, that he just needed time to process everything. He wasn't trying to hurt her or worry her or add to his distance from her, either geographically or emotionally; he had just needed time to catch up. But Mulder knew he couldn't explain it, not even to her. Despite Scully's abduction, it was difficult for him to put into words his feelings of disconnection, his overwhelming fear and the tenacious niggling of guilt over having gone to Oregon, having stepped into that energy field after seeing what it did to his hand. He knew he should have turned around and called Skinner over. But instead he had stepped into the energy field. Scully might have been taken, but he had gone willingly. Of course, he wouldn't have gone willingly, perhaps wouldn't have gone back to Oregon at all, if he knew that Scully's dizziness and chills were symptoms not of the flu but of early pregnancy. I wouldn't have gone, he reassured himself. Of course I wouldn't. I wouldn't have left her like that. Sometimes he could almost convince himself that were true. It was guilt, he realized now, that had kept him testing Scully. Was she with him just because of their child? Or had she so built him up during the months he was missing, making him into a loving father and a devoted partner, into a good man? Now that he was back, was she afraid to admit that she had been wrong about him? Maybe he couldn't fulfill the dreams she had had while he was missing, dreams of a normal life with a man who was anything but. After his return Mulder had learned, while reading the Post in an attempt to catch up with current events, that polar bears are cannibals. It was not uncommon, scientists had recently discovered, for male polar bears to eat young, helpless cubs. Mulder could not remember whether these males killed the young cubs themselves, or whether they waited, patiently, for an accident or an illness to claim the cubs before cannibalizing them. He wondered whether they ate the cubs they themselves had sired before remembering that the males didn't even know which cubs were theirs. They were not involved in raising their own offspring; male polar bears were loners, hunting and fishing in desperate solitude while their mates and cubs fended for themselves. Nature was cruel, Mulder thought, shivering in the warmth of the apartment, not only for the female polar bears and their cubs, but for the males, who spent their lives wandering alone in the snowy arctic, without the comfort of their families, the only contact with other members of their species a teeth-baring, testosterone-fueled death match. Or cannibalism. Or intercourse. Scully stirred in bed, and Mulder stood and watched her for a moment, her red hair, longer now than she had worn it in the years he'd known her, splayed across the white pillowcase. One bare arm was tossed over her head, framing her hair. Mulder smiled, then got to the floor on his hands and knees, and pulled his socks and hers from beneath the bed. He ran his arm through the darkness, searching for her underwear, the only article of their clothing he hadn't yet unearthed. But he found nothing, unless he counted the dust bunny that had skimmed across the floor when he pulled his socks from under the bed. Mulder jumped when the phone rang, almost banging his head against the sturdy wooden bed frame. He scrambled to his feet, nabbing the cordless phone from the bedstand and stepping quickly into the hallway. He pressed the talk button, but said nothing until he had closed the bedroom door behind him. "Hello?" "Mulder?" a male voice answered. Familiar, Mulder thought, but he couldn't place it. In the background he could hear the bustle of a crowd and the disembodied voice of a loudspeaker announcer. "Yes?" "Hey, Mulder, it's Charlie," the voice said. "Charlie," he said, wandering down the short hallway. "Everything okay?" "Yeah, I'm sorry for calling so early," he said. "I hope I didn't wake the baby." Mulder stepped into Liam's room and crept over to the crib, smiling gently when he saw the baby's arm bent awkwardly above his head, just like Scully's. "Nah, he's still asleep." "That's good," Charles said. "Can I talk to Dana?" "She's sleeping," Mulder said. "Do you want me to wake her?" Charles paused, then said, "Uh, yeah. Could you?" "Mmm hmm," he said, cracking open the bedroom door. He held the phone against his chest and sat beside her on the bed. "Scully?" "Mmmm," she said, turning away from him and pulling the blankets up over her shoulders. "Scully." He smoothed her hair away from her face and she turned back to face him, her eyes squinting open. "Wuzzit?" she asked. "Phone," he said, offering her the receiver. She sat up, holding the sheet against her chest, and took the phone. "Who is it?" she asked, now almost completely awake. "What's wrong?" He just shook his head. "It's Charlie." "Charles?" she said frantically into the receiver. "What is it? What happened?" Mulder scooted over to sit beside her. She leaned her head against his shoulder and balanced the phone in the valley between them. Charles was shouting into the phone, trying to hear himself over the buzz of the crowded airport. "Nothing's wrong, Dana," he assured her. "I'm fine." "You're fine," she said softly, sighing as she looked over her shoulder at Mulder. "What is it then?" "I'm sorry I woke you." "It's okay, Charlie," she said. "What is it?" "It's... It's just, Dana, I know I told you that night that it was a mistake and I shouldn't have come." "Yes," she urged. "But I'm glad I came. I'm sorry I haven't kept in touch, Dana, I'm so, so sorry about that, and I'll be better about it now, I promise." "Okay," she said, turning away from the receiver to stifle a yawn. "Really," he assured her. "I'm gonna use that ticket you gave me. I don't know when, not yet, but I'll let you know, I promise." "I'm glad, Charlie," she said. "I hope--" But her voice was drowned out by the crackle of the loudspeaker and the boarding announcement for a United flight to Seattle. "That's me, Dane," Charles told her. "I gotta go." "Have a safe flight, Charlie." "Thanks," he said. "Love you, Dane." Then he hung up the phone. As the dial tone buzzed in their ears, Mulder lifted the phone from its balance on their shoulders and pressed the disconnect button, then dropped the receiver onto the bedstand. "Wow," Scully said, running her hand through her hair and unconsciously letting the sheet slip a few inches down her chest, revealing the soft curve of her breasts. Wow, indeed, Mulder thought. "What?" he asked. "Did you hear what he said?" she asked, turning her face against the pillow to face him. "He said he loved me. He hadn't... I can't remember the last time I heard that from him or Bill," she admitted. "You know they love you," he said, thinking of what Tara had told him the previous day. He found her left hand under the sheet and interlaced his fingers with hers, feeling the warm gold of her ring between his fingers. "I know," she said, squeezing his hand, "but sometimes you just need to hear it." * * * * * MAGGIE Maggie tried to get back to sleep after the rest of her family left that morning, but she found it next to impossible. She lay in bed for another thirty minutes, tossing and turning, slightly uncomfortable in the sudden return of quiet to the house. Finally she gave in to her wakefulness and got out of bed, showered, and dressed before heading downstairs. She popped an English muffin into the toaster and set the coffee pot brewing. As she waited for her breakfast to cook, she wandered through the house, checking to make sure no one had forgotten anything. Just when she was about to rejoice in the miracle of her children's memories, she found a teething toy of Liam's in the refrigerator when she got out the margarine to spread on her English muffin. Oh, well, she thought, fingering the cold gel-filled ring. She would be seeing Dana again next week, for New Year's, if not sooner. At least she needn't pack anything up and ship it to Seattle or San Diego. Finally her English muffin popped up, and Maggie snatched it out of the toaster, buttering it thinly. As she ate she spotted the remote control to the stereo on the counter, and flicked it on. The radio was set to an all-talk AM station, and she flipped idly through the channels, unable to find anything to her tastes. She clicked on the CD player, trying to remember what discs she had left inside. Ah, yes, she thought as the first familiar strains of "Yesterday" filled the empty house. She had been on a Beatles kick for the past few weeks, perhaps seeking some comfort, perhaps preparing herself for the arrival of her children. The Beatles had always reminded her of the time her family had spent in Japan, when she had sometimes turned on the radio just to hear the familiar sounds of the English language. The songs from those years were ripe with memories for her, Eleanor Rigby's lonely people and Penny Lane in her ears and in her eyes. Maggie set the remaining half of her muffin on her napkin and went into the living room, where she surveyed the Christmas decorations. I should take them down today, she supposed. Bill had always insisted on dismantling everything immediately after Christmas, eager to restore order to the house. Old habits die hard, Maggie thought. She snatched candy canes off the drooping branches of the tree, collecting them in a small pewter jar on the mantel. Then she slipped each of the stockings from where the children had rehung them, empty and loose, on Christmas morning. She stacked the stockings on the couch, thinking that, at this time next year, they would need another stocking. Maggie smiled as she ran her fingers over the new felt of Liam's stocking. She finished her breakfast and headed into the attic to retrieve the plastic snap-lid boxes she used to store the holiday decorations. She set the stockings in their box, then detoured into the kitchen to pour herself a cup of coffee before plucking ornament after ornament off the tree and wrapping it carefully in tissue paper. The familiar piano chords of "Let it Be" filled the living room, and Maggie smiled. This was one of her favorites, having consoled her through so many long, lonely nights in impersonal base housing while the children slept soundly upstairs. "For though they may be parted, There is still a chance that they will see. There will be an answer. Let it be." Maggie snagged a familiar ornament off the tree, hanging its faded yarn tie on her index finger, letting it dangle around her wrist. It was an ornament all four children had helped to make, a plastic globe covered in shiny metallic threads most likely bought at one of those Secret Santa shops the elementary schools used to run. Maggie wondered whether they still had those, or whether they had been disposed of in the interest of political correctness and failing school levies. She fingered the single word on the ornament, "MOM!" that her children had painted on using their own tiny thumbprints. It was a clever idea, she thought, though it would have worked better if there had only been three of them, the exclamation point necessary for Charles to have something to contribute. Sequins, now half lost, decorated the vertices of the "M"s and formed the dot of the exclamation point. Maggie gazed over at the numerous photographs that decorated the east wall of the room. She and Bill stood together on their wedding day, Bill in his dress uniform, her in a satiny white gown, her veil billowing behind them in the wind. In the frame next to their wedding photo was another picture from that day, Maggie with her three sisters, her bridesmaids, huddled together on her parents' porch swing. Another photo showed a newborn Billy, a photo taken just after his birth, his pink face swaddled in a blue blanket, less than an hour after Maggie had bestowed upon him his father's name. Next to the picture of her firstborn were her other children, taken as newborns in the hospital, taken to send to a father at sea. To the uninitiated, the babies in these pictures might look identical, their red faces wrinkly and bothered, their fingers scrunched into fists, their nails impossibly tiny and sharp. But to Maggie they were so distinct: Billy's dark hair peaking out from beneath his cap; Melissa's eyes, wide and bright blue, looking almost stunned; the tiny scratch on Dana's face, which was already dotted with freckles; the perfect roundness of Charles's head, her one baby who had been born by caesarean. Another picture showed Bill, Tara, and Matthew, taken on Matthew's first birthday. A large cake sat in front of him and his tiny, clenched fist was poised to enter the cake. Indeed, the next photo on the roll had showed Matthew's frosting-covered fist jammed pleasantly into his mouth. Maggie smiled. "I know you, you know me. One thing I can tell you Is you got to be free. Come together Right now Over me." The next photograph in the row depicted Charles's high school graduation. Each of the children had been in attendance, and they stood next to their brother, Melissa smiling and tweaking the tassel on his crooked cap. But Charles was smiling formally, despite his bright yellow high-top sneakers and the clashing neon-green necklace he wore along with his honors cords. "Got to be good-looking Cause he's so hard to see, Come together Right now Over me." Maggie turned her attention back to the Christmas tree, and removed the remainder of the ornaments, setting the breakable ones in their own boxes and tossing the children's ornaments, her favorites, in a larger container. Then she removed the strings of popcorn and cranberries, her fingertips aching at the memory of stringing them, and set them aside to toss outside for the birds. She decided to take a break before tackling the lights. The tree looked beautiful like this, half-naked and twinkling merrily. The sight was almost hopeful, and, if she squinted, Maggie imagined that she was putting the tree up, instead of taking it down, that she was anticipating her children's arrival instead of beginning to miss them again. "Little darling, It's been a long cold lonely winter. Little darling, It feels like years since it's been here. Here comes the sun." Cradling her coffee mug in one hand, Maggie peered out the window. Indeed, the sun was peeking out of the considerable cloud cover, though the snow had yet to begin to melt. They were forecast to receive another few inches before the weekend, she knew, but nothing as severe as the holiday ice storm. Good, Maggie thought. They had planned for her to spend New Year's at Dana's apartment, and Maggie didn't relish the idea of driving into DC in a blizzard. Too, her daughter's apartment, though spacious for a woman living alone, was now crowded by the addition of Liam and Fox, and Maggie hoped not to have to spend a night on her daughter's sofa, even if Dana did claim that it was more comfortable than Maggie's pull-out. "Little darling, I feel that ice is slowly melting. Little darling, It seems like years since it's been clear. Here comes the sun. Here comes the sun. And I say it's all right." Maggie turned back to the wall of photographs, hunting out one of Dana. There were several, she saw, but none of Dana with Fox and the baby. Somewhere, she knew, she had the pictures she'd taken of Liam as a newborn, of his puffy pumpkin Halloween costume and of the Thanksgiving she had spent with her daughter's family. She would have to choose one with the three of them to frame and squeeze onto her ever-crowding wall of pictures. Plus the photo of Liam and Matthew on Santa's lap, Maggie remembered. She hoped they would all be together next Christmas. Maggie knew it had been difficult, and the holiday hadn't exactly gone as she had planned. Yet they had all survived those five days, survived them and perhaps were the better for them. At least Maggie hoped so. And she dared to hope that she would see all of them together before next Christmas. Maybe in the spring, when Bill, Tara, and Matthew moved back East, or in the summer, when Tara had the baby. Was she being greedy wanting Bill and Dana to find some peace, to accept each other's choices and each other's limitations? Was she asking too much to hope that Charles might use the plane ticket Dana had given him to again come East to visit them? That he might have seen something in the family this week that he loved, that he needed? Was it asking too much to hope that they had all seen it? * * * * * "Our parents are never people to us, never, they're always character traits, Achilles' heels, dim nightmares, vocal tics, hot tears, all handed down and us stuck with them. Our dilemma is utter: turn and look at this woman, understand and pity her, like and talk with her... There is only room in the lifeboat of your life for one, and you always choose yourself, and turn your parents into whatever it takes to keep you afloat." - Anna Quindlen "I want to love you without clutching, appreciate you without judging, join you without invading, invite you without demanding, leave you without guilt, evaluate you without blaming, and help you without insulting. If I can have the same from you, then we can truly meet and enrich each other." - Virginia Satir * * * * * End Notes: Big thanks to Holly and Carrie for beta reading for me (especially Holly, who isn't even much of an X-Files fan). Big thanks also to my mom for helping me out with details about seven month old babies and four year old boys, for letting me know when I let the characters get overly sentimental or overly cruel, and for helping me (hopefully) humanize Bill without going overboard. I started writing this in October, intending to be finished in December, not realizing it would grow to epic proportions... well, I guess if Scully can be pregnant for a year on the show, then a Christmas story can be sent out in February and March. So I thank everyone who read this out-of-season tale, especially those who sent me feedback. This is only my second X-Files story and the encouragement was very much appreciated. It's reassuring to know, when you send out a story that's like a part of you, that it's going somewhere safe and loving. THE END